Comparisons of love in A rose for Emily and Sweat Essay Example

Comparisons of love in A rose for Emily and Sweat Paper When we think about love, we usually associate it having positive effects on the lives of individuals. But as portrayed by William Faulkner in A Rose For Emily and by Zora Neale Hurston, in Sweat, the effects of love can be deadly. In A Rose For Emily, Emilys love causes her to kill to keep, and in Sweat, Delias love causes her to kill to let go. Because she grew up under a very strict set of laws, Emily comes into contact with very few men. Actually, the only man that has any influence in Emilys life is her farther, who she loves very much. As a direct result of her fathers protective nature over her, Emily grows inseparable from her father. So when her farther dies, his death sends Emily into a deep depression. One day Emily meets Mr. Homer Barron, who after dating for a short while she falls deeply in love with. Emily falls in love with Homer because besides her farther, he is the only man she has every spent any time with. Emily sees Homer as a father figure, which directly causes her to fall so deeply in love with him. When homer tells Emily that he intends to leave her, Emily does not understand how to handle this news. We will write a custom essay sample on Comparisons of love in A rose for Emily and Sweat specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Comparisons of love in A rose for Emily and Sweat specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Comparisons of love in A rose for Emily and Sweat specifically for you FOR ONLY $16.38 $13.9/page Hire Writer Not completely recovered from the death of her father and deeply in love with Homer, Emily is unwilling to let another man she loves leave her. Emily kills Homer, puts him in their bed, and sleeps next to his dead body every night. Although we may view this of the behavior of someone who is psychologically ill, Emily sees this as totally normal. If Emilys father let her socialize with members of the opposite sex more at a young age, she would not have become so easily attached to the first man she interacted with. Although Emilys father is to blame for the majority of her suffering, Emily is not totally innocent. After her fathers death if Emily would have been open to enjoying life and meeting people, she would have met numerous male friends and wouldnt have attached herself to just one. In Zora Hurstons story Sweat, Delias resistance to leave her husband demonstrates how much she loves him. Every since the second month of their fifteen year marriage, Sykes began beating on Delia. Other than her love for him, there is no other possible explanation for Delia to remain in a relationship for fifteen years and take the abuse that she takes. Delia stays with Sykes even though she knows he cheats on her. Not only does he cheat on Delia but Sykes uses Delias money, because he has no job, to buy things for his mistress and to pay for her hotel. If she really didnt care about Sykes, Delia wouldnt take care of him the way that she does. She even loves him enough to try to make their relationship work in the midst of their daily fighting. Hurston says, Delia and Sykes fought all the time now with no peaceful interludes. They slept and ate in silence. Two or three times Delia had attempted a timid friendliness, but she was repulsed each time (p. 600). This quote demonstrates that through all their adversity, Delia attempts to reconstruct their relationship. Her love for Sykes makes Delia ignorant to the fact the he will never change, and that all her attempts to ignite any flame in their relationship is void. Because he knows that she despises snakes, Sykes decides to bring a snake in the house, believing that it will drive Delia out of the house, therefore making room for his mistress. To make sure that his plan is a success, Sykes puts the snake in the hamper, which contained the clothes that Delia was to prepare for work the following day. In the end the plan backfires and the snake bites Sykes on the neck. He calls for Delia to help him, but much to his dismay, she just stands there and looks at him. Although a slight possibility to save Sykes may have been present, Delia decides enough is enough. For the last fifteen years of her life Delia died a very slow death. Everyday Sykes killed her mentally, emotionally, and physically. He beat her, cheated on her, and talked about her, things which Delia was forced to rise from daily. So because she loves Sykes so much, Delia decides it just time to let go and be reborn once more. Both authors demonstrate two strong sides of relationships between man and woman, and the different paths that the love leads each relationship to take. In Faulkners A Rose For Emily, Emilys love for her father was so strong that when he died and she fell in love with Mr. Homer, she refused to let him go under any circumstances. She feels as though she needs the presence, dead or alive of someone that closely resembles her father. In Hurstons Sweat, Delia is a fool in love for such a long time that she doesnt see anyway out. She loves Sykes for who he was not what he has become. Deep down inside she knows that the soul of the man she married died a long time ago, but love causes her to deal with the flesh of her foolish husband for so long. When the opportunity becomes available, her love allows her to Sykess flesh rest. Both authors show that sometimes when dealing with love it can be hard to let go, but in the end its what we should do. Also, both illustrate as a direct result of love, both women are psychologically damaged. The damage that Emily suffers causes her to kill, and the damage that Delia suffers allows her to take countless amounts of abuse, and in the end, to let Sykes die.

Early 20th Century Socialist Movement Essays

Women in the Late 19th/ Early 20th Century Socialist Movement Essays Women in the Late 19th/ Early 20th Century Socialist Movement Essay Women in the Late 19th/ Early 20th Century Socialist Movement Essay The differences between the women of the working and middle class created a situation of conflict for the first wave of feminists, despite both groups shared intention of bettering the lives of women. The late nineteenth and early twentieth century socialist movements in Europe was no different, it attracted many people looking for a better life, including working class womens groups. Lily Braun was one of these women, however, in spite of her dedication she failed to be accepted by the working or middle class womens groups because her background and her radical ideas placed her outside the boundaries of both groups. The main points of contention between the working and middle class women were the means by which they sought to improve the lives of women. For working class women, this meant implementing laws to protect women in the workplace, and allowing them access to unions. Middle class women felt that any special treatment for women undermined their claim that women were equal to men, and rallied against legislation that would give women special treatment. Lily Braun, despite her status as an educated and middle class woman, sided with the working class womens idea of legal protection for working mothers, including maternity leave and outlawing hazardous work. This paper will begin with a brief discussion of the goals of working and middle class womens groups and why these similar goals lead to conflict between the groups and conclude with a discussion of how Lily Brauns unique feminism failed to find a niche within either group. For women of the new capitalist class, discrimination based on gender differences was blatantly obvious in their daily lives alongside men of their own class who had achieved many of the political, educational and economic rights that they were still, as women, unable to achieve. These were women who did not share all the privileges of aristocratic women, but who, unlike working-class women, saw all the discrimination they faced originating from their sex, rather than their class. In 1894, the bourgeois women’s movement came together as a loose federation in the League of German Women’s Associations (Bund Deutsche Frauenvereine). Bourgeois feminists concentrated forcefully on ‘equal rights’ issues, such as property rights, fighting to overturn legislation that held that a woman needed her husband’s permission to work outside the home; that she had to turn over to him all her property and income; and that she was under the legal guardianship of her fa ther, then her husband. In contrast to the middle class women’s movement’s concern over gender inequality, the working women’s movement focused on class structure as the root of their oppression. Capitalism’s drive to exploit labor as cheaply as possible, and a trend to shift production to the factory while social reproduction (taking care of workers, rearing children) remains within the home had not invented women’s oppression, but had made its own ‘woman question’ from sexual oppression inherited from previous class societies. At the founding congress of the Second International in 1889, Clara Zetkin argued that under capitalism, woman was enslaved to man, as the worker was to capital. Economic independence would enable working-class women to play their part in class struggle, but without pressing the struggle forward to socialism, this would only replace slavery to a man with slavery to an employer. So the key to achieving women’s emancipation was a fundamental change in property relations production had to be owned and controlled collectively, the household economy had to be socialized to free women from the domestic burden. The socialist program for women’s liberation had to be a program for the abolition of class society. In her book A Vindication of the rights of Women in 1972, Mary Wollstonecraft emphasized the need to clear prior errors most of her predecessors had made.   She referred to the middle class women which she belonged as easy to twist and obscure with stereotypic shenanigans which they (men) clearly understood was only to assist them remain in power unperturbed.   Most of the women in the middle class viewed immediate satisfaction being the opening of doors to work in different areas after a long period of suppression.   Arguably, this was a remarkable achievement; however, Wollstonecraft understood the long way they had to go before they could claim they were really free in deed.   After partly accessing the much desired resources by women, the conflict was evident as the capitalist higher class women could figure out that the most important aspect that should have been celebrated was the access to political power which could be used to fix their subsequent problems with ease.à ‚   Considered to be part of undermining the middle class women, she emphasized on the need to rise above the virtues and the common wants of affection that were traditionally thought to be derived from family integration and women submission to their husbands. European Consortium for Political Research (41-13) indicates that in order to ensure better and responsible reference to the women roles, the perfection of their nature and capability of happiness should have been estimated by the degree of reason, virtue and knowledge which distinguishes the individual as well as the laws which bind the society and therefore set a basic platform for coterminous evaluation.   However, this notion was overshadowed by a strong dark cloud which made their quest vague in the society.   Even after the direct agreement that their considerations required to be urgently addressed, the quest ebbed out after the initial achievements.   Scholars argue that poor leadership between women in the society formed the direct platform for the delayed quest of their rights.   Whereas most of them were at the middle class where leadership skills had mostly not been attained, the upper class group failed greatly in closing the gap.   Having been mostly born of t he high class, they had access to better education and therefore the capacity necessary for ensuring better articulation of their ideologies to others and the leadership.   However, this link was not offered as most of them looked at the system from an individualistic mode.   As a result, great differences arose from lack of effective harmonization and inclusion of all women’s contribution into the main call for the fight to their rights.   Human nature has been pointed out as one of the most resistant systems to change.   Even when the essence for change is very clear, strong reminders are required for direct application. According to Lily Braun Alfred Meyer (11-121), Bourgeois women’s work was difficult in application and had little to encourage togetherness among the women.   Women were generally less advantaged during their daily work and the course for natural duties.   Of greater stress were the married women who had to cope with family aspects and live with fast deterioration of their systems. Most of the men abused their wives and put them in worse conditions to support themselves after childbearing took off their much needed ability to work.   Besides, they were unable to support their growing children, effectively work and participate in the quest for their common rights.   Therefore, closer interlink and harmonic evaluation of the intrinsic effects was missing as an analytical tool to induce their quest.   By their nature, women had much more roles to play which were not recognized by the system and men in various positions of authority.   Arguably, the roles played by wo men were assumed and only women could tell the extent of the impacts to their lives in the society.   Lily Braun, Alfred G. Meyer (18-22) continue to say that the direct emphasis had to come from the women themselves and forcefully too if they wanted to achieve the much anticipated status in the society.   Similar to men, they were monolithic in approach which never subsided during the different problems.   During problems and quest for common desires, men were considered to have strong similarity which bound them together. Sociologists argue that during the late 19th century, the society was directly anchoring itself to ensure women were permanently imprisoned in domestic affairs with minimal external consideration for their development.   Arguably, most of the men supported the idea and viewed their wives as lesser spouses who were supposed to be involved more with domestic affairs as opposed to the â€Å"mens† work in offices.   This was not just depressing but morally wrong and drove women from both classes to quest for liberation from the common system that sought to devour them. However, differences in approach for solution to a single problem is considered to be highly fatal than the problem it seeks to address (Richards, 74-76).   Most of the bureaucrats saw a direct chance of articulating their weird ideologies that were highly destructive for them.   To ensure they remained relevant and supportive to the higher class ruling elite, divide and rule system was easily effected.   However, this mostly affected the majority of women who were in middle class.   Most of the upper working class were already enlightened and could not easily be divided as they had the much required resources and social status that the middle class was struggling to get.   Therefore, by promising better lifestyle to the later, they changed their approach to the common problem that was facing them prompting the contrast. Political setting during early 20th century portrayed a direct disrespect for human nature that was highly guided by gluttony driven by those in power.   At this time, political power and â€Å"leadership† was a reservation for men.   As indicated earlier, most of the women were looked down upon and their interests could only be represented by men in administration.   Considering the direct bureaucratic nature of men whose minds were mostly war driven by then, women had less space and consideration or success.   Arguably, it was this lack of political muscle that courted the undercurrents for dividing and deviating women’s quest for unity.   Men in authority saw threat from women unity as it dawned to them that women were more and could easily turn around the management and operations of their selfish systems.   Though this forms a strong debate that is far from over, most of the scholars argue that men played a bigger role in Lily Braun calls of unity than did women of different social classes. Conclusion Much is to be gained by studying the different perspectives and conflicts between bourgeois and proletariat women’s groups during the late nineteenth to early twentieth century, especially in context with their class based reaction to Marxism that set them at odds with one another.   We learn that what was collectively referred to as the â€Å"woman question† in those days, was actually a much more complex matter that was rooted in the differences between the upper and middle class. In fact, one can consider the position of the working class women as â€Å"reluctant feminists† because their main interest was escaping their enslavement to the capitalist bourgeois, it becomes clear why reconciliation between the two groups was impossible. However, feminists such as Lily Braun strove for unity between the two groups, knowing that a united front would catalyze the changes necessary to improve women’s position in society. Braun’s maverick tendencies ev entually lead to her downfall within the women’s movement, as both sides rejected her contributions that did not coincide with existing ideals. Looking back on Braun’s writing with a modern perspective allows her work to be fully appreciated as ahead of its time, despite the rejection she received from her peers. Braun’s proposal to combine the efforts of both bourgeois and proletariat women’s groups may have gone unheeded during her lifetime, and the policies both groups chose to implement as distinct factions surely lead to lost opportunities, however eliminating the class and gender bias is a problem still faced today. Perhaps, even in our modern times taking a second look at Braun would allow society to rise above these persisting issues and work to better society as a whole.

Ethical v. unethical hacking Research Paper Example | Topics and Well Written Essays - 2500 words

Ethical v. unethical hacking - Research Paper Example The revelations of individuals such as Julian Assange and Edward Snowden have underscored the pertinence and relevance of considering the potential for information to be compromised, hacked, and used by third parties that have never been given license or permission for such use. As such, the relevance of hacking is something that not only considers an individual hacker but entire corporations, or national security apparatus. For this very reason, the following plan will provide an overview for how information will be included, what will be discussed and what metrics will be utilized to measure and draw inference upon hacking and the differential, if any exists, between â€Å"ethical† and â€Å"unethical† hacking. In this way, the following brief discussion has analyzed a litany of both primary and secondary texts in the attempt to provide a valid and fair overview into the issues at hand. Furthermore, by discussing and analyzing the different theoretical approaches that different authors have made, in determining ethics and/or the definitions/interpretation of hacking, the analysis has engaged in a diverse approach to the literature and sought to reflect this with respect to the representations and determinations that have been made. In this evolved and highly digital era, cyber security is probably the most notable type of security individuals and companies ought to be concerned with. Businesses, governments, schools, banks, hospitals and virtually every modern institution that comes to mind keeps and organizes information it acquires electronically. Individuals also have a host of information stored electronically. This implies that highly sensitive information – from account and credit card numbers, to phone bills and medical records – is available to people who can decide to steal, manipulate, or share the information maliciously (Leeson & Coyne, 2005). Hacking is mostly

Global Markting Essay Example | Topics and Well Written Essays - 2000 words

Global Markting - Essay Example Franchises have sprung up to become multi-billion dollar business empires like the McDonalds franchise. Fast foods are composed local readily available foodstuff that is easy and ready to eat with minimal preparation and/or cooking. The fast food business is being introduced into regions of the world where it would not have been economically sound to do so a few years back. This is because the market for fast foods was not there, and it was undeveloped o support such endeavours. The expansion started in the Asian markets in countries like India, Singapore and Vietnam to mention just a few. Africa is now being viewed as the next frontier in almost all fronts of business from mining to technological advances, innovation and inventions. Kenya is a leading country in Africa in terms of political, economic and environmental stability that acts as a conducive environment for business start-ups and growth. Kenya is regarded as a leader in many aspects especially when it comes to considering it a location to set up a business. This is because the country acts as a gateway into the wider Eastern African region because of its port at the coast with the Indian Ocean and well-developed road network. Infrastructure is the key to business development in any part of the world because it determines the success or failure of a business. Infrastructure should be considered when setting up a business, and includes a myriad of factors that are important to a business. It is composed of both tangible attributes like roads, buildings and intangible factors like skilled labour and technological expertise. Kenya is a country that is considered an oasis of stability and peace in a region where the neighbouring countries are ravaged by various calamities and disasters. Political stability is essential for the success of any business and Kenya provides this strategically. This is terms of infrastructure and political stability that provides a calm environment for businesses to proper and break even. The country’s economy is largely based on agriculture, but there emerging opportunities for other sectors of the economy to be based on like mining. These new opportunities have placed Kenya on the path of entering into the bracket of emerging world economies like Brazil and Far East countries. Politically, Kenya is more stable than its neighbours, which can be attributed to its half a century of stable political leadership since its independence from its colonial masters the British. This has been further enhanced by the country’s adoption of a new constitution, which has placed the country among the best leaders in terms of the best bill of human rights and organs for protecting them in the constitution. Political leadership determines a country’s economic policies and they affect both external and internal business environment. Kenya’s business environment can be considered as one that is need of external or foreign investment, which expec ted to help the country exploit its newfound resources. Foreign investments are essential for a country’s development because it brings in the much-needed expertise and experience in various sectors of the economy. Political goodwill is essential in encouraging direct foreign investment in country because it is responsible for instituting and maintaining conducive economic policies. Kenya offers these attributes at a time when the region and Africa as a whole is in the public limelight as being positioned as the next big thing in

How Music Effects Emotions On People Psychology Essay

How Music Effects Emotions On People Psychology Essay I made a decision to pick up music on the day that I found out how amazing music was. I sat into a band practice where they played a piece called Fire Dance. Ironically, when the band started playing, I had a brief scene of a calm ocean, with ripples of waves coming towards me. As the band continued, and as the music got louder, faster and more intense, I experienced fierce and powerful ocean waves crashing down on each other. This is possibly due to the clashing of cymbals that always happen right after the band reaches the peak of its crescendo. I use the term experienced because I not only had an image of it, but I also became engulfed by emotions that had so suddenly sprung out from nowhere. The most expressive words that I can use for the emotions I had felt from the music and image are grace, power and majesty. I was so overwhelmed by the majesty of the music that I cried a few tears and I had slight breathing difficulties because my chest had felt tight. This was all new to me . I had no prior music training and neither did the music trigger any past memories. I had finally understood why people become musicians. I glanced around after the band finished playing, and realised that I was the only one who was affected by the music. I was somewhat embarrassed by my reaction. So far, this is my most vivid and interesting experience brought to me by music. There are two positions on how music effects emotions on us. One is the cognitivist view which supports music as appearing to evoke emotions, the brain acknowledges the emotions in the music, but the listener does not experience any actual emotions (Thompson,2009). The other is the emotivist view which supports the idea of emotions being induced by music, and these emotions are felt, which is observed by physiological arousals (Storr, 1992). Music presents emotions through the characteristics of music (such as musical contour, tempo and modality). These characteristics mould the type of emotions experienced by the listener (Kivy,1980,Thompson). One theory suggests music as a language, where various emotions are brought across by different types of musical intervals. For example, an augmented fourth expresses distress, while a major third can express happiness (Cooke, 1959)/(Thompson, 2009). Upon hearing the sounds, the brain interprets it as music, and evaluates or appraises the music to create physiological responses (Zajonc, 1980, Thompson). The arousal of the autonomic nervous system is the response of an animal to an environmental stimulus. This includes changes in breathing rate, heart rate and blood pressure. Since this similar response may also be observed after an exercise, they do not necessarily represent an emotional response. Therefore, cognitive processing is required to link arousal with music, in order to form an emotional experience (Mandler, 1984, Thompson). It is to be noted that this point of view incorporates cognitive reasoning into the emotivist position, but do not support the cognitivist position. Humans have an innate arousal response to unexpected occurrence of events. According to Mandler, composers have the ability to generate increases in arousal by manipulating the expectancy of the listeners, and this ability differentiates music from other stimuli (Mandler, in Thompson, 2009). The expectancy theory explains that deviation of music from the expectations of the listener creates tension/arousal, which is, as discussed above, emotion. Music preference is related to the degree of arousal. It is found that a balanced/moderate degree of incongruity is most preferred, as high incongruity makes the music confusing and unpleasant, and no incongruity makes the music predictable and boring. In other words, deviation from expectancy is directly correlated to degree of arousal, and music of moderate levels of incongruity is considered most pleasant (Berlyne, in Thompson, 2009). These perceived sound patterns (music characteristics/incongruity) of music are experienced by emotions (M eyer, 1956). Experiments have proven emotions are induced by music. Sloboda (1991) conducted a survey on music and physical responses. The results show that many people experience emotions when they listen to music, and some of the emotions experienced include shivers, laughter, tears, racing heart, sweating (Thompson, 2009). A blind experiment was conducted by Rickard, Nikki (2004) to investigate the presence of a difference in physiological arousal between more and less emotionally powerful music (EPM). 21 healthy participants (12 males, 9 females) with varying ages (mean of 25.5years, standard deviation of 8.48) were given music treatments of 3 experimenter-chosen music treatments, and 1 EPM of the individuals choice. The individuals EPM was open to any music genre, but was standardised to a limited duration of 5 to 10 minutes. The other 3 fixed music treatments were: relaxing music, arousing music and a non-musical film scene that will induce intense emotions. Each individuals gender, personality and level of musical experience was noted, but was found that none of these factors produced any significant contribution that can change the level of physiological arousal (Rickard, 2004). Tests were done before and after administering each music treatment, by using saliva sampling, questionnaires, event recorder and sensor electrodes attached to the body to measure various physiological responses. This was to test for hormone (cortisol) production levels, skin temperature and conductance, heart rate, chills and muscle tension (Rickard, 2004). The results taken from the skin conductance and number of chills per minute displayed a very significant increase in arousal for the EPM. It also shows that EPM produces very high levels of physiological arousal, and less EPM produced less arousal. No meaningful conclusions could be found from the other recorded data due to the presence of high variability of results (Rickard, 2004). Studies of Music on Heart Rate Other studies have also found that heart rate, breathing rate, skin conductance are all affected by musical stimulus. Heart rate increases when people are exposed to music with fast tempos and rhythm, loud volume, or any other type of music that stimulates the auditory nerves; and slow tempos and rhythm, smooth melodic harmonies, depressing, sedative and relaxing music will decrease heart rate (Bartlett,1996). Studies of Music on Skin Conductance Producing similar results to Rickards experiment, 4 studies on skin conductance have produced a positive relationship between the change of skin conductivity, and enjoyment (liking) of the music (Bartlett, 1996). However, one experiment found no change in skin conductivity when the subject was indifferent to the type of musical stimulus administered (Davis, 1934). Studies of Music on Respiration Rate One study found an increase in breathing depth/amplitude when there is a greater liking for the music as well as an increase of the music volume (Ries, 1969). Another study tested on pre-mature infants showed an increase in respiration rate with stimulative music, and decrease with sedative music (Lorch et al, 1994). The majority of these studies shows support for the emotivist position. Rickards experiment should be showing positive relationships in all tested areas. A larger group of subjects should be tested on in order to reduce the variability of results. In relation to Rickards experiment and my experience, my EPM would be the Fire Dance piece, and i stand to support the emotivist position as i had exhibited high levels of physiological arousals. Although Rickards experiment was unable to conclude the results of respiratory rate, other studies of respiratory rate (by Ries and Lorch et al) have shown a positive correlation with stimulative music. Although tears were not one of the arousal tested in Rickards experiment, Slobodas survey explains that it is also a type of physiological arousal from EPM. Rickards 4th treatment of administering the subjects own EPM, the study on respiration rate (Ries) and studies on skin conductance all show positive influence of subjective music on the extent of physiological arousal. A common example of the subjectivity of music preference is an event where one individual is highly aroused by a piece of music, but another who had listened to the same music is unaffected (Addis, 1999). However, the skin conductance test (by Davis, 1934) done with subjects who had no particular liking or dislike for the music that was played to them (not stimulating enough), did not produce any significant changes in physiological arousal (related to expectancy theory). This can help explain the reason i found myself the only one affected in the band room that day. To extend our understanding of why in my experience, the music was able to induce beyond emotions, we can first investigate on how common/rare that this kind of experience takes place by conducting surveys on the public. Some interesting survey questions would be: Have you ever experience images coming into your mind when you listen to music?, Are these images related to your past experiences or do they have no relation at all?, one would think that it would be more common and easier for music to access into our episodic memory and draw out a past experience, but what if random images that come purely from the music itself are actually more common? Is one even more common than another? Another idea would be to conduct an experiment that has 2 aims. The first is to observe any relationship between the extent of how emotionally powerful the music is, and images that are brought to them by the music (if any). The second aim is to investigate if music training actually conforms the types of images seen because of the characteristics of music, and this is done by comparing if those with no musical training would experience images that are not related to what the composer is trying to create, more often than their musically trained counterparts . I suggest that this experiment to be done on two separate groups of participants, the musically trained and those with no musical training. The experiment could be done by choosing subjects who have the same character (e.g. introvert or extrovert) so that the music played to them would be emotionally powerful. It has been found that people of similar character like similar music. Subjects chosen should also come from a range of ages (e.g. from 20-60 years old) so that any relationship found would not be limited to one type of generation. Since we have already chosen the subjects according to a certain character, the music that we chose should have different complexities, to cater to different individual EPM (between each individual, and also for those with musical training background) according to Berlynes inverted U shaped preference-complexity graph (Thompson, 2009). In order for us to find out which music played is the most emotionally powerful to each individual, we can test for the extent of physiological arousal (similar to Rickards experiment). The more emotionally powerful the music is, the greater the physiological arousal. For example, the experiment is done on subjects who are introverts whose favourite genre is classical music. The treatment would be a range of classical music from different composers, and with different complexities. The first treatment given should be the least complex and progresses as the next music is played. The experiment conducted must be a blind experiment, i.e. subjects do not have prior knowledge to the aim of the experiment. After presenting each music, subjects would have to answer questions such as How much do you like the music (selecting from a range of 0-10)?, How did you feel when you listen to the music? and Did any images come to your mind? What images did you see? . We can declare the experiment successful, if the results are able to show a pattern where the more emotionally powerful the music, the higher chances of seeing images. Or if we discover that music training do limit musicians ability to experience a variety of images (or even emotions) created as a res ult of certain characteristics of music that had been taught to create a certain scene. This experiment would probably need to be done on a great number of subjects since it is not common for music to produce images in our minds. In a nutshell, music is interpreted in the brain, and the evaluation and appraisal creates emotions by physiological arousals. Different emotions are induced by the discernment of varying sound patterns. The emotivist position is being supported by results from the various research as well as my experience. However, my experience went beyond mere emotions into images produced by music. Future research could be done to better understand how this is caused.

Theories of Translation Essay

1. Introduction Translation, oral or written, is probably as old as the spoken or written word. Throughout the ages, famous writers have tried their hand at â€Å"the art of translatingâ€Å". Translation is usually defined as the communication of the meaning of a source-language text by the means of an equivalent target-language text. It can be also described as an expression of a sense from one language to another as well as transmission of a written or spoken language to another. However, it is a very broad notion that can be comprehended in a lot of various ways. It is also a multi-staged, creative process. Translation offers us the experience and attitudes of another culture or mentality. We cannot imagine a world without the translations of literary master pieces from all countries. The role of translation is to overcome cultural and linguistic barriers among nations. It is a key process in the development of global connectedness. A translator has several identities. First, a translator is a reader, who should know the text and its social and cultural background. He/she should also try to understand the original author`s feelings and thoughts about life and art. Secondly, a translator is a writer, because he must master two or more languages, and have the professional writer`s knowledge about the languages. Thirdly, a translator is a creator who is able to understand the source text well and to recreate the text which is faithful to the source text. If he is a real artist and a good craftsman, his work may even surpass the original. Fourthly, a translator is a researcher. The literature translation is dependent on literature study, which is the premise of translation. A translator`s four identities are mixed and integrated. Nevertheless, regardless of the degree of embellishment, translation cannot avoid altering the work. An American professor, scholar, linguist and polyglot, Werner Winter wrote that perfect translation was impossible. In his opinion, words, like marble, have certain intrinsic qualities that are indivisible from the form they take. That`s why he compares the translator to a sculptor who attempts to replicate a marble statue without the benefit of marble. But, translation is a worthwhile enterprise, despite the built-in flows. Because of our curiosity about other cultures, translation will likely never go out of fashion. Globalization overcomes spatial barriers, thus resulting in the mobility of people and objects; and a proper contact between different linguistic communities. It is manifested not only in the creation of global market, but also in the significance of travel and international movement of people (mass tourism, business travelling, migration and exile) and in the consolidation of a global communication system that distributes images and texts to any place in the world. These developments emphasize the significance of translation, which has been a key of global communication for decades. Some language theorist emphasize that translation has been neglected in the current literature on globalization. However, although the practice of translating is long established, the study of the field developed into an academic discipline until the second half of the twentieth century. Before that, translation had normally been an element of language learning in modern language courses. (Munday, 2001:7). The globalization theory focuses on mobility and deterritoriallzation, trying to obscure the complexities involved in overcoming cultural and linguistic barriers and to make the role of translation less important. However, many scholars indicate that translation helps us not only to get a better insight into the world, but to get to know ourselves better. The practice of translation comprises the selection and importation of cultural goods from outside a given circuit, and their transformation into terms which the receiving community can understand, if only in linguistic terms, and which it thus recognizes, to some extent, at least, as its own. And because each translation offers its own, over determined, distinct construction of â€Å"otherness† of the imported text, we can learn a  great deal from these cultural constructions – and from the construction of self which accompanies them. The paradigms and templates which a culture uses to build images of foreign offer privileged insight into self- definition. (Riccardi, 2002:17). 2. Theories of Translation There are many translation theories because translating can be viewed from a lot of various perspectives. Some translators claim that they have no theory of translation. But many linguists emphasize that every translator has his own theory of translation. Some persons object to a theory of translation; first of all, because it  seems unnecessary or even misleading. This is seriously true of some wrong theories of translation, but everyone has a theory of translation as to what one should do, how it should be done, and why. Such a theory may be overt or covert; it may be well defined or only vaguely felt. The truth of the matter is that everyone does have a theory of what one should do in translating, and many of these theories are quite inadequate. Good translations inevitably represent effective theories; in other words, organized sets of principles and procedures. A theory,  however, is more than simply a list of rules, for no list could ever cover everything which a translator must or can do. The theory is an organized set of principles pointing the way to finding proper solutions. (Jin and Nida, 2006:7). Translation theorists are usually worried about differences between literary and non-literary text, between poetry and prose, etc. There are many different theories of translation. One reason for that is the fact is that the process of translating can be seen from a lot of various points of view. The other reason is that translating has existed since the beginning of human history. Many language experts point out that traditional translation theorists divided translation into two types. Traditional translation theorists divided translation into two types: literary and non-literary. In literary translation (i. e. , the translation of literature) the translators were both concerned with â€Å"sense† and â€Å"style†. But in non-literary translation the emphasis was on sense. It was meant not to be â€Å"word for word† but â€Å"sense for sense† translation. In the later half of the twentieth century with the advent of Structuralism, Deconstruction and Reader-Response Criticism, Translation Studies took a new turn. (Das, 2008:27). Even nowadays, despite the great variety of translation theories, we don`t have any complete theory of translation. The main reason for that is the fact that translating is utterly a process which depends upon numerous disciplines: neurophysiology, communication theory, psychology, cultural anthropology and linguistics. Actually, it seems inappropriate to speak of â€Å"theories of translation†, since all that has been achieved are several sagacious perspectives on this complicated attempt. If we want to understand the nature of translation, the processes and procedures associated with all kinds of translations must be the center of our attention. Besides, we should point out different attitudes towards the complex task of translating, particular directions which provide good comprehension of interlingual communication. The four major perspectives on the problems of translating are: the philological perspective, the linguistic perspective, the communicative perspective and the sociosemiotic perspective. They should be regarded as complementary and supplementary. On the other hand, they show a historical development of translation. When there are differences in translation, we ask ourselves which of several translations should be the right translation. However, many scholars emphasize that different translations at different points in time â€Å"reflect different style and different ideas about translation†. (Rubel and Rosman, 2003:14). 3. Philologucal Perspective on Translation During the seventeenth and eighteenth centuries in Europe, the philological perspective on translation was first and foremost concentrated on â€Å"faithfulness† of translation. The philological theories of translation were based on a philological approach to literary analysis and they were concerned with all kinds of stylistic features and rhetorical devices. This approach emphasizes: 1. the source of the thematic and formal features of the text; 2. the stylistic peculiarities of the author; 3. the thematic strructure. The philological approach to translation is source-oriented, author-centered and it does not examine the reasons that account for certain translation behaviour. The philological theories of translation have been concerned primarily with literary texts. Generally, the scholar`s discussions were about the degree of freedom that should be allowed, particulary in the case of Bible translation. Nevertheless, many translators accomplished masterly in combining sensitivity to style. Ocatavio Paz explained the most imprtant limitations of the philological perspective. In the field of verbal expression, Paz defines the function of words both in a poetic and prose text and †here again the emphasiz is on the recognition of the plurality of meaning†. (Schulte and Biguenet, 1992:7). Words create connotations that reflect multiple ways of interpreting the text. A lot of language experts protested strongly against the domination of philology and its methodology in translation theory, with the result that many people began to recognize the necessity of a more linguistic orientation for translation theory and practise. 4. Lingustic Perspective on Translation The developement of linguistic perspective can be attributed to two principal factors: 1. the application of the rapidly expanding science of lingustics to several different areas of intellectual activity (language learning, cognitive antrophology, and semiotics), and 2. machine translation. Linguistic theories of translation are based on a comparision of the linguistic structures of source and receptor texts rather than on a comparision of literary genres and stylistic features. Linguistic approach refers to the approach which makes linguistics the key in translating. Linguistics and the growth of linguistically oriented theory are closely related. Linguistic perspective reflects the trend of language study. Translation studies fought for a proper place of its own. Linguistic approach has largely contributed to the initial scientifization of translation studies. Through the use of transformations, Noah Chomsky and his collegues added a new influental sphere to language structure. Several philosophers have made their indirect improvements of the linguistic perspective as well. A lot of books on translating and on correlations in language structures were published during this period. However, this approach to translation has tended to neglect the semantics of lexical structures. In the second place, this kind of perspective depends too much on the ideal speaker and hearer. There are no such ideal individuals, and the translator must be concerned with the various types of limitations that actual speakers and hearers have. In the third place, linguistic approach to translation neglected verbal communication, and language cannot be discussed as though verbal communication occurs in a cultural vacuum. 5. Communicative Perspective on Translation. Dissatisfaction with a strictly linguistic approach to translation is evidenced in Eugene Nida`s relating translation to a communicative theory, rather than a specific linguistic theory. The book From One Language to Another (de Ward and Nida, 1986), made the communicative approach predominant. When one proceeds from the level of gramatical categories (which are largely implicit) to the level of words, which are symbols for dynamic and explicit features of culture, one is obliged to interpret the meaning of such linguistic units in light of the cultural context. That is to say, the meaning of a unit must be described in terms of the sum total of what it signals in all the contexts in which it is used. (Nida, 1975:6). The communicative perspective demonstrates the significance of several fundamental elements, such as: source, message, receptor, feedback, noise, setting and medium. It also analyzes the problem of encoding and decoding. Communicative approach focuses upon various processes in communication and because of that the relation between sociolinguistics and translation is a very natural one. Any approach to translating established on communication theory has to give great attention to the paralinguistic and extralingustic characteristics of oral and written messages. For persuasive and good outcome, form and content must be inseparable. Eqivavalence is also Nida`s preoccupation. He rejects †free† versus †literal† debate in favour of the concept of formal and dynamic eqivalence – a concept that shifts the emphasiz to the target audience. Eugene Nida`s scientific approach has evolved into a quest for a more systematic classifications of all translation theories, which should be based on linguistics, philology and semiotics. 6. Sociosemiotic Perspective on Translation Sociosemiotic approach to translation has been undertaken by de Ward, Nida and Toury. Language must be viewed as a shared set of habits using the voice to communicate. Language experts point out that the existence of shared values and of regular communication patterns requires empirical investigation. To the extent that speakers share knowledge of the communicative constrants and options govering a significiant number of social situations, they can be said to be members of the same speech community. Since such shared knowledge depends on intensity of  contact and communication networks, speech community boundiers tend to coincide with wider social units, such as countries, tribes, religious or ethnic groupings. (Gumperz and Hymes,1986:16). Scholars indicate that members of the same speech community need not all speak the same language nor use the same lingistic forms on similar occassions: All that is required is that there be at least one language in common and that rules governing basic communicative strategies be shared so that speaker can decode the social meaning carried by alternative modes of  communication. (Gumprez and Hymes, 1986:16). On the other hand, the primary concern of the translator is to transfer the meaning of the source language to the target language. Meaning is the point of departure and the end product of translation operations. It is neither possible nor desirible to reproduce every aspect of meaning for every word in a source text. We have to try, as much as possible, to convey the meaning of key words which are focal to understanding and developement of a text, but we cannot and should not distract the  reader by looking at every word in isolation and attempting to present him/her with a full linguistic account of its meaning. (Baker,1992:26). Semiotics is the scientific study of properties of signing systems, whether natural or artificial. In its oldest sense, it refers to the study within philosophy of sign and symbol systems in general. The modern use of the word covers the investigation of patterned human communication in all its modes. Sociosemiotic approach to translation uses a realistic epistemology that describes the real world. Its starting point is verbal creativity. Sociosemiotic perspective also appreciates the adaptility of the language, the blurred limitations of usage and the ambiguity of meaning, which makes language such a sophisticated tool for dialogue. Besides, this approach is fundamentally interdisciplinary, regarding the multiplicity of codes. In linguistic communication, as in any other communication, there are at least five essential elements involved: 1. the topic (the message transmitted), 2. the code (the system of symbols with which the message is processed and sent out),  3.  the sender (the encoder of the message), 4. the receiver (the decoder of the message), 5. the channel of contact (between the sender and the receiver). Each of these categories of sociosemiotic meaning is related primarily to one or more of these five elements. The complete indications of sociosemiotic theories of translation, are only now appearing. However, they possess the potential for becoming very important perceptives for more definable and adequate outcomes. 7. Conclusion These four major perspectives on the problems of translating do not ivalidate one another. On the contrary, they contribute to a better understanding of interlingual communication. These diverse approaches to the problems of translating are essentialy matters of different perspectives. If the focus of attention is on particular texts (and especially if these are of so-called literary quality), the underlying theory of translation is best regarded as philological. If, however, the focus of attention is on the correspondance in language form and content, that is, on the structural differences between the source and receptor languages, the corresponding theory may be regarded as linguistic. If the focus is on translation as a part of an actual communication process, the corresponding theories may be regarded as communitave. If the focus is on plasticity of language, the corresponding theories may be regarded as sociosemiotic. The purposes of translation are so diverse, the texts so different, and the receptors so varied that one can readily understand how and why many distinct formulations of principles and practises of translation have been proposed. All who have written seriously on translating agree that translators should know both the source and the receptor language, should be familiar with the subject matter, and should have some facility of expression in the receptor language. In discussing the various theories of translation, it is important to recognize that these theories are seldom developed in comprehensive form. In most cases, the theories are far more implicit than explicit. But, many scholars point out that a good transltion can be recognized very easily. In fact this type of translation is distinguished by its elegance and  concision, its attention to natural word order, to the deployment of clauses and phrases more frequently used than their formal equivalent in source language: a good translation is deft, neat and closely shadowing its original. (Newmark, 1991:34). However, the fact that patterns of human behaviour are constantly subject to change means that literary taste and judgement with respect to types of translation also change. There is, therefore, no permanent set of criteria for judging the acceptability of translation, but change also implies fluctuation in judgement. Accordingly, one must expect that over a period of time not only will the attitudes of many people change with respect to a translation, but the same individual may react to a particular translation in different ways at different times, depending on his own emotional state or needs. It seems to me that language experts will perhaps invent some new approach to translation. However, despite the fact that scholars have different opinions about perspectives on translation, translation will never cease to exist. Good translators love their work because it is useful and creative. They love exploring the wods, which are a mirror of their times – of the events, the preoccupations, the inventions and discoveries. Every word represents a treasure of mankind`s wisdom. In my opinion, we can learn so much from the act of translation when we are involved in the process. We can learn about our own writing, our language, foreign language and about language itself. Bibiliography 1. Baker, Mona. (1992). In Other Words. London: Routledge. 2. Das, Bijay Kumar. (2008). A Handbook of Translation Studies. New Delhi: Atlantic Publishers &Distributors. 3. Gumprez, John and Hymes, Del. (1986). Directions in Sociolinguistics. New York: Basil Blackwell Inc. 4. Jin, Di and Nida, A. Eugene. (2006). On Translation. Hong Kong: City University Hong Kong Press. 5. Munday, Jeremy. (2001). Introducing Translation Studies. New York:Routlege. 6. Newmark, Peter. (1991). About Translation. UK:Multilingual Matters. Ltd. 7. Nida, A. Eugene. (1975). Language Structure and Translation. Stanford: Stanford University Press. 8. Riccardi, Allesandra. (2002). Translation Studies: perspectives on emerging discipline. Cambridge: The Press Syndicate of the University of Cambridge. 9. Ruber, Paula and Rosman, Abraham. (2003). Translating Cultures. Oxford:Berg. 10. Schulte, Rainer and Biguent, John. (1992). Theories of Translation. Chicago and London: The University of Chicago Press. Contents 1. Introduction†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 1 2. Theories of Translation†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦3 3. Philological Perspective on Translation†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 5 4. Linguistic Perspective on Translation†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦. 6 5. Communicative Perspective on Translation†¦.. 7 6. Sociosemiotic Perspective on Translation†¦Ã¢â‚¬ ¦. 8 7. Conclusion†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 10 8. Bibliography†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.. 12 9. Contents†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦13

Understanding Marketing Objectives Questions

Marketing objectives must be based around the corporate objectives. 3. In Chapter 1 the concept of SMART objectives was introduced. Give six examples of SMART marketing objectives. (6 marks) Increase market share by 10% within 2 years Achieve sales revenue of E 10 million within 2 years. Introduce 5 new products by 2016. Increase consumer awareness of the business by in 2016. Improve overall added value on product X by E per unit this year. Increase repeat sales to 60% within 3 years. 4. What problem might arise if a firm's marketing department ignored its corporate objectives? (4 marks)A problem that may arise if a firms marketing department ignored its corporate objectives is that a lack of coordination within the business is likely. This is because the marketing department's targets may not be clear to the other departments and when they are achieved, they may serve no use to the rest of the business as they will not correspond to the corporate objectives. 5. Analyses two reasons why a printing company would set marketing objectives. (6 marks) Two reasons why a printing company would set marketing objectives is because it allows the printing company to measure their success.This can be done by comparing their targeted figure to their actual figure. Also, a printing company would set marketing objectives to motivate employees of the marketing department. These employees can then be rewarded for their ability to achieve their targets by financial or non-financial rewards. 6. Identify and explain three internal factors that might influence a fashion retailers marketing objectives. An internal factor that might influence fashion retailers marketing objectives could be the corporate objectives. This is because the marketing objectives would aim to help achieve the corporate objectives.Due to this, the corporate objectives will influence on the targets that the marketing department can make. For example, if the corporate objectives were to raise the quality of the ir product, then the marketing department could not have the objective of lowering costs as tit would be inconsistent with the corporate objectives. Another internal factor that might influence a fashion retailers marketing objectives could be the staff available. This is because the marketing objectives will not be able to be met unless the staffs have the capability to achieve them.For example, if the marketing objectives were to improve their products quality, the staff available may not have the necessary training or skills In order to actually achieve this objective. Finally, the last internal factor that might influence a fashion retailer's marketing objectives could be the departments finances. This is because the marketing department will be limited to the objectives that they can make based on whether they can actually afford to achieve their objective. If they do not have the necessary finances to achieve their objective then the objective was not SMART as it wasn't realis tic. . Identify and explain three external factors that might influence a fashion retailer's marketing objectives. An external factor that might influence a fashion retailer's marketing objectives might be the needs or wants Of the consumers. This is because, especially with fashion, the wants of the consumer are always changing. Therefore, the department must always be dynamic with their decisions to make sure that they meet these needs and wants of the consumers. When setting objectives, the marketing department must also be dynamic with their sections.This is because when consumer wants change, the marketing objectives will be influenced. For example, if the wants of the consumer change to lower quality and lower priced clothing, then if the marketing department had the objective of raising quality, then they would have a reduction in demand as the demand is moving elsewhere in an always changing market. Another external factor that might influence a fashion retailers marketing o bjectives could be changes in the economy. This is because the economy will decide on how much money people have to spend.If people have less to Penn then the customer numbers for a fashion retailer would fall because expensive fashion is not necessarily a need. Finally, the last External factor that might influence a fashion retailer's marketing objectives could be the actions of competitors. This is because their actions will have an impact on a company's sales and customers. As fashion is a very competitive market, the actions of more competitors are likely to have a larger impact on sales and customers. [f the fashion retailer's objectives are based around these, they can be heavily influenced by competition.